Program

We Tea
Aug
22
to 4 Oct

We Tea

We Tea is an immersive installation developed through Bu’s ongoing studio-based tea ceremony practice since 2022. Rooted in intimate gatherings with friends, family, and visitors, each session becomes a durational act of presence where the slow rituals of making and sharing tea quietly document shared time and space. 

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The weight of her
Aug
22
to 4 Oct

The weight of her

This exhibition responds to the idea of 'Digital Genocide,' a term coined by Muneera Bano, Principal Research Scientist in Ethics and AI at the CSIRO. It names a hidden violence: the systematic disappearance, distortion, and underrepresentation of cohorts of women in the data that feeds machine learning and artificial intelligence.

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I am not my father
Aug
22
to 4 Oct

I am not my father

I Am Not My Father is a multigenerational collaboration exploring the complexities of fatherhood. Each artist brings personal experience—ranging from nurturing relationships to those shaped by absence, neglect, or trauma—into a shared conversation through textiles, sculpture, video, and an original score.

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We Tea Public Engaged Performance
Aug
23
11:00 am11:00

We Tea Public Engaged Performance

On the day following the opening exhibition, Jingwei Bu will present a one-on-one, silent tea ceremony retrial. This objectless performance invites individual audience members to enter the tea room and sit opposite the artist on a stack of A4 paper, still and present. Together, they share the quiet ritual and the passing of time, creating a space for reflection, intimacy, and presence.

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Intricate Rituals
May
23
to 5 Jul

Intricate Rituals

Intricate Rituals traces the uneasy space between boyhood and manhood—where affection becomes obscured by expectation, and kinaesthetic desire is tangled in myth. Through a darkened installation of four sculptural assemblages, the exhibition reframes domestic masculinity as a series of obscure and sacred rituals.

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Ko e 'Otua mo Tonga ko hoku Tofi'a
May
23
to 5 Jul

Ko e 'Otua mo Tonga ko hoku Tofi'a

The series of prideful Tongan flags recontextualizes the Eurocentric standard to fit the Pasifika diaspora’s post-colonial framework. Continuing to unravel ancestral histories through a post-colonial lens as a forgotten Tongan excluded from the culture of the ancestors the work juxtaposes contemporary punk sub- cultural influences from the postmodernist period with ancient ancestral history.

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Mar/Apr Artist Talks
Mar
29
2:00 pm14:00

Mar/Apr Artist Talks

Join Firstdraft for the March/April Artist Talks!

Join us from 2-4pm on Saturday 29 March for artist talks with the March/April exhibitions, including Tay Haggarty, Abbra Kotlarczyk, Tiana Jefferies, Seren Wagstaff, Amy Sargeant, Annie Monks, Nelson Nghe, Jack Hodges and Son.

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People's Choice
Mar
28
to 10 May

People's Choice

In an era of increasing polarisation, political, cultural, social, and economic, a question arises: why don’t those seeking genuine change engage more with those who think differently? People often voice their beliefs within familiar circles, both online and in person, reinforcing opposition rather than encouraging understanding.

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GARDEN VARIETY DYKES
Mar
28
to 10 May

GARDEN VARIETY DYKES

Garden Variety Dykes is a group show inspired by the PDF of the same name; ‘Garden Variety Dykes: Lesbian Traditions in Gardening’ edited by Irene Reti and Valerie Jean Chase in 1994. This exhibition dives into queer ecologies, puts forward questions surrounding the continuation of a queer linage in climate activism and explores sapphic yearning in the garden space.

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Losses Disguised As Wins
Mar
28
to 10 May

Losses Disguised As Wins

Nelson Nghe aims to illuminate the often "invisible" nature of gambling harm, especially its impact on loved ones. Through evocative found objects and images, Nghe reimagines hidden domestic moments, exploring the emotional toll that gambling harm inflicts on those indirectly affected.

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ALGAEIC INTENT
Jan
31
to 15 Mar

ALGAEIC INTENT

ALGAEIC INTENT investigates the ways in which Algae thrive in the wreckage of capitalism (it grows in response to the excesses of agriculture and suffocates fish via depletion of oxygen) and how this can operate as a mirror/reflective distortion of our intermingled biological actions and porous relations to matter.

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the motherhood that wasn't
Jan
31
to 15 Mar

the motherhood that wasn't

Motherhood and fertility have been extensively represented in creative practice for both their pictorial qualities and in the documentation of lived experiences. These representations continue to play an important role in shaping public perceptions of womanhood, while infertility is underrepresented, silenced or deemed contentious – often framed in terms of lack or failure.

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Some Sort of Notation
Dec
6
to 18 Jan

Some Sort of Notation

Some Sort of Notation takes its name from the journals of Alexander Marshack: an archaeologist who, in 1964, published a study on seemingly random, human-made notches on palaeolithic bones. Adamant that the markings were far from meaningless, he proposed they were complex lunar observations— a proto-writing system. “It is clearly neither art nor decoration,” he’d said, “but some sort of notation.”

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(maelstrom)
Dec
6
to 18 Jan

(maelstrom)

(maelstrom) presents new works by South Australian artists Nicholas Hanisch and Nicole Clift. The two bodies of work, oil paintings and hand-woven tapestries, are responses to tangible and intangible manifestations of density, respectively. Nicholas Hanisch’s small oil paintings on canvas and bronze present intense tonal studies of sudden force, such as volcanic eruptions, fireworks, black holes, meteor showers and billowing smoke clouds.

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redux
Dec
6
to 18 Jan

redux

This exhibition revisits selected works from Danish Quapoor’s recent good grief series, recontextualising them amongst related works. Quapoor’s trademark illustrative paintings on stretched paper feature alongside wall drawings and sculptures. Collectively, the works allude to diverse concepts including shifting personal identities, familial relationships, corporeality, grief, memorialisation, frustration, allergies, expectations, gender roles and sexuality.

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