Join us in this new community networking opportunity called Co-working Wednesdays, a low commitment weekly event (during exhibition periods) to be held after business hours on Wednesday from 5:30 pm to 7:30 pm.
Residue, curated by Georgia Boe as a part of Firstdraft’s First Nations Curator Program, brings together the practices of three artists at different stages of their careers, working in diverse ways with charcoal.
Firstdraft is reviving our screening program to support ten artists working across video, film, and screen-based practice. The screening program runs from December 2025 - March 2026, offering multiple perspectives responding to two curatorial premises.
Guess what? In the '70s PM Gough Whitlam held an anthem quest to replace God Save the Queen. The Australian people responded eagerly with entries in notation, lyric and tape-recorded form.
stockpiler is an installation drawn from the remnants of her childhood garage, a room shaped by generations of quiet accumulation and a mosaic of several conflated identities.
Join us on Friday, December 12th, from 6–10 pm to celebrate our final openings of the year.
Join us for the last workshop of the semester in our Artist Professional Development Series.
In this informal session, Georgia Boe, curator of Residue, will walk participants through how the exhibition came to be, including working with politically engaged artists and sitting comfortably in this space of discourse.
This workshop will explore the curatorial process involved in developing and delivering an exhibition, including:
research/conceptual development
artist/artwork selection
exhibition planning
curatorial design
Participants are encouraged to bring their own questions and curatorial projects to discuss.
If time permits, the session may also cover the following topic: The intellectualisation of trauma does nothing for the victim(s).
About the Facilitator: Georgia Boe
Georgia Boe is a First Nations curator, project manager and executive leader committed to amplifying First Nations and non-Western perspectives within contemporary art. Of Butchulla and Burmese heritage, her curatorial practice collaborates with artists tochallenge dominant narratives and foster alternative ways of seeing.
Find out more about Residue
The Artist Development Program is supported by the City of Sydney.
Join us in the next artist professional development workshop to learn the basics of AV install with Gotaro Uematsu.
Artist Professional Development Program
Join us for the next artist professional development workshop in Navigating Arts Organisations with Kiera Brew Kurec. Kiera will guide you in working with organisations across the sector from ARI's to council led galleries to institutions.
Artist Professional Development Program
Join us for the next artist professional development workshop where you will learn how to write an eye-catching CV and artist bio with Audrey Newton!
Join us from 2-4pm on Saturday 18 October for artist talks with the October/November exhibitions, including Levent Can Kaya, Sydney Jarrett, Tabitha Lean, Zeinab Mahfoud, Jahkarli Felicitas Romanis, Tanya Cubric, Felix Jackson and Samuel Chan.
Join us from 6-8 pm, for the opening of four new exhibitions including 3 solo exhibitions by Tanya Cubric, Felix Jackson, Samuel Chan and a group exhibition curated by Levent Can Kaya with Sydney Jarrett, Tabitha Lean, Zeinab Mahfoud and Jahkarli Felicitas Romanis.
Fog of war is a military metaphor that has been adopted as a mechanic in strategy-map-based video games. It appears as a darkened foggy area around a player’s avatar or base, differentiating the unexplored from the explored territory on a map shared with hidden enemies.
Penal colony, police state, imperial pawn. From its genesis, Australia has operated as a carceral and militarised state. How are artists responding to a structure that is physical, legal, and material—its legacies and its projections onto other places on the planet? Hijacking, intervention, documentation, glitching—fugitive artistic methods.
Headway is a large-scale installation formed from the remnants of a year-long performance by Felix Jackson. Throughout 2024, Felix wore one new white sock each day on alternating feet. By the end of the year, 366 socks had been collected, each marked with the traces of daily use.
Alina, Olena, Lana and Jana is a single-channel digital video work and installation. It is a re-imagining of four Eastern European characters that Cubric played as an actress for various UK television and stage productions.
Artist Professional Development Program
Artwork install 101 will be a hands-on introduction, covering the end-to-end processes of installing and deinstalling 2D artworks in a gallery setting.
Join us from 2-4pm on Saturday 23 August for artist talks with the August/September exhibitions, including Sue Jo Wright, Mitchell Davis, David Horton, Martin John Oldfield, Jingwei Bu and Belinda Yee.
Jingwei Bu will present a one-on-one, silent tea ceremony ritual. This objectless performance invites individual audience members to enter the tea room and sit opposite the artist on a stack of A4 paper, still and present. Together, they share the quiet ritual and the passing of time, creating a space for reflection, intimacy, and presence.
Mitchell Davis, David Horton and Martin John Oldfield
I Am Not My Father is a multigenerational collaboration exploring the complexities of fatherhood. Each artist brings personal experience—ranging from nurturing relationships to those shaped by absence, neglect, or trauma—into a shared conversation through textiles, sculpture, video, and an original score.
Sue Jo Wright
Labyrinths of Signs is a textile installation body of work by Sue Jo Wright, which explores the journey of identity, belonging, and the discovery of community.
Join us from 6-8 pm, for the opening of four new exhibitions including 3 solo exhibitions by Sue Jo Wright, Jingwei Bu, Belinda Yee and a group exhibition with Mitchell Davis, David Horton and Martin John Oldfield.
Belinda Yee
This exhibition responds to the idea of 'Digital Genocide,' a term coined by Muneera Bano, Principal Research Scientist in Ethics and AI at the CSIRO. It names a hidden violence: the systematic disappearance, distortion, and underrepresentation of cohorts of women in the data that feeds machine learning and artificial intelligence.
Jingwei Bu
We Tea is an immersive installation developed through Bu’s ongoing studio-based tea ceremony practice since 2022. Rooted in intimate gatherings with friends, family, and visitors, each session becomes a durational act of presence where the slow rituals of making and sharing tea quietly document shared time and space.
Come along on the last day of 2025 Firstdraft Fundraiser for a chill day to see artworks on display in the gallery spaces and supporting artist stalls!
Come along to countdown of the last hours of bidding in the 2025 Firstdraft Fundraiser at the Artist Party – featuring music by Rydeen and SOVBLKPSSY from Sunset with Dot Zip on FBi Radio.
Grow your collection and nurture the future of contemporary art 🖼️
We are delighted to announce that the Firstdraft Fundraiser is back and will be online from Monday 28 July and in-person from 1 - 3 August!
Join us from 2-4pm on Saturday 24 May for artist talks with the May/June exhibitions, including Joseph Burgess, Kiera Brew Kurec, Alex Tálamo, Nebbi Boii, Naoise Halloran-Mackay, Emily Greenwood and Fergus Berney-Gibson.
Naoise Halloran-Mackay
Naoise Halloran-Mackay explores ideas of shelter and the ways in which we may build, seek, or offer it.
Join us from 6-8 pm, for the opening of four new exhibitions including 3 solo exhibitions by Naoise Halloran-Mackay, Emily Greenwood and Fergus Berney-Gibson and a group exhibition with Joseph Burgess, Kiera Brew Kurec, Alex Talamo, Nebbi Boii, Dana Albatrawi & Wirrin Ward-Lowe.
Fergus Berney-Gibson
Intricate Rituals traces the uneasy space between boyhood and manhood—where affection becomes obscured by expectation, and kinaesthetic desire is tangled in myth. Through a darkened installation of four sculptural assemblages, the exhibition reframes domestic masculinity as a series of obscure and sacred rituals.
Joseph Burgess, Kiera Brew Kurec, Alex Tálamo, Nebbi Boii, Dana Albattrawi & Wirren Ward-Lowe
This exhibition considers the function of art in articulating opposition, fostering solidarity and imagining alternative futures.
Emily Greenwood
The series of prideful Tongan flags recontextualizes the Eurocentric standard to fit the Pasifika diaspora’s post-colonial framework. Continuing to unravel ancestral histories through a post-colonial lens as a forgotten Tongan excluded from the culture of the ancestors the work juxtaposes contemporary punk sub- cultural influences from the postmodernist period with ancient ancestral history.
Join us from 2-4pm on Saturday 29 March for artist talks with the artists of the March/April exhibitions, including Tay Haggarty, Abbra Kotlarczyk, Tiana Jefferies, Seren Wagstaff, Amy Sargeant, Annie Monks, Nelson Nghe, Jack Hodges and Nolan Ho Wung Murphy.
Tay Haggarty & Annie Monks
Make your body-safe, usable eco pleasure toy while exploring sensory pleasure and the Indigenous practice of inner deep listening through clay.
Jack Hodges
In an era of increasing polarisation, political, cultural, social, and economic, a question arises: why don’t those seeking genuine change engage more with those who think differently? People often voice their beliefs within familiar circles, both online and in person, reinforcing opposition rather than encouraging understanding.
